Category: the arts

Is this still a whiff? Bato and Diño, FDCP and tax rebates

Katrina S.S.

It was bad enough that Bato dela Rosa had the gall to have a film made about his life — after all, it was under his leadership at the PNP that we saw THOUSANDS of Filipinos killed in a bloody drug war that he insisted was necessary because his god … este, his President believed it to be so. Of course a film that is blatantly propaganda via hagiography is nothing new. Neither is the admission that this film is about getting him a Senate seat. Let’s not even get into whether or not he has the credibility and credentials for it (and no, Jimmy Bondoc, insisting Bato’s loyalty to the President is enough is just idiotic, also: anti-nation).

Read on…

fanning the bernal flame

in any account of the 2nd golden age of philippine cinema, lino brocka and ishmael bernal top the list of best directors, and always in that order.  when a bernal fan asked me why, gayong even alphabetically her idol should come first, i said, well, chronologically brocka came first, and his debut film Wanted: Perfect Mother (1970) was a huge box-office success.  bernal’s first, Pagdating sa Dulo (1971), a film within a film, was a critical success but a commercial flop.

bernal was a bit too high, too sophisticated, for the beginner that he was.  only now are cineastes one in saying that bernal was ahead of his time.  no wonder it took a while for people to rise to his occasion.

it helps, of course, that some of bernal’s best films have been showing intermittently on cable TV since 1994 courtesy of cinema one, and that sari dalena and keith sicat kept the flame alive with their documentaries on ishma.  and when Pro Bernal, Anti Bio finally went to press in july 2017, rogue magazine’s jerome gomez was quick to ask for excerpts that came out as “Stardust Memories” announcing the imminent launch in november.

kicked off with personal funds, and some more from friends of bernal — this is my chance to thank you so much, evelynne horrilleno, dannie alvarez, noel anonuevo, tisi and winston raval, pis boado, bobbie malay and satur ocampo, julie de lima-sison, deanna ongpin-recto, maribel ongpin, leny de jesus, ricky lee, raquel villavicencio, laida lim, butch perez, and mt. cloud bookshop — Pro Bernal, Anti Bio (2017) is co-published by ABS-CBN publishing inc. and the indie book producer everything’s fine (EF).  of the 1000 print-run, the publishing house took on 300 copies to distribute in mainstream bookstores.  the rest EF is paying for (50% down, 50% due a year from launch) which is why katrina continues to seek collaborators on bernal events where we can peddle the book.

it was a boon that mark yambot, head of abs-cbn publishing, allowed us to dictate the content and the look and the feel of the book (though we did concede on a few minor details :-), thanks to katrina who took over the project the moment i dropped the manuscript — raised funds, negotiated with mark, and harassed the printing press peeps about quality control hanggang sa dulo.

mark graciously arranged for and attended two november launches a week apart.  the soft one in trinoma on the occasion of cinema one‘s filmfest screening of sari & keith’s Ishmathe docu, before which mark asked katrina to say a few words about Pro Bernal, and where she met cinema one‘s ronald arguelles.  the hard(core) one in victorino’s where i finally met mark, and author bernal was represented by his sister ging ledesma and nephew andrei, and co-author jorge arago by his sister sol and her kids robin and nico sagun.  #intrafamilia

noel añonuevo and joel saracho who were with katrina in trinoma were again in victorino’s, joining dannie and deanna, bobbie and satur, raquel aka kelly, national artist bien lumbera, randy david, nic tiongson, tom agulto, sari & keith, celina cristobal, boni ilagan, roly peña, joe carreon, lucy quinto, leo martinez, bembol roco, and elmer gatchalian, among others.  friends from left, right, and center, what a rare and fun gathering!

erwin romulo slipped in, got a book, and slipped out.  and then there was oliver ortega aka bolix, the book’s designer who was unfazed, undaunted, by my quirky format.  i finally got to ask him about the margins, ang kitid sa itaas, nakakapanibago, but there had been no moving him (or the margins).  ayun pala, there’s such a thing as “the golden ratio”.  fascinating!  #angtaray

december 6, Archivo 1984 Gallery, a makati museum of local art and memorabilia, held a film showing of bernal’s Pabling (1981) and invited katrina to come and sell books.  marti magsanoc bought a pile, some of which are available in The CCP Shop, archivo’s branch in pasay. #BernalNight

krip yuson’s rave review Reliving Ishmael Bernal came out in philippine star on december 10, elaborating on an earlier facebook post: “What a wonderful book: ANTI BIO PRO BERNAL, on Direk Ishmael Bernal’s life, films and milieu.”  two days later came jessica zafra’s ProBernal AntiBio is the best Filipino film book of the year, maybe of all time!  thank you, krip and jessica (and butch perez, for getting a copy to jessica)!

february 2018, we were invited by sari dalena to do a small exhibit for the Ishmael Bernal Gallery of the UPFI film center.  katrina got to flex her amateur-curator muscles, plotting out the friendship of bernal and arago from UP undergrad days through to bernal’s filmmaking years to bernal as actor on the Dulaang UP stage, with memorabilia unearthed from jorge’s old office and movie stills we had salvaged from his room in binangonan in 2012.

books were sold, Nunal sa Tubig (1976) was on loop, and i got to chika with sari and keith, fidel rillo, lem garcellano, dannie alvarez, sol and jorge’s favorite bayaw steve sagun and kids, especially with obet and team who had worked with jorge back when virgie moreno was director of the film center.  also i finally met and got to thank carlo vergara who did the bernal and arago avatars for the book. #zsazsazaturnnah

in early march, ronald rios, head of the Society of Filipino Archivists for Film that’s doing a Reflexive Cinema series — a three-year celeb (2017-2019) of the centennial anniv of Philippine film in partnership with CCP and NCCA — invited us to the screening of Pagdating sa Dulo in CCP’s dream theater.  katrina read excerpts from Pro Bernal to introduce the film and, after the screening, joined producer george sison (the peace and prosperity new-age guru) and production designer cesar hernando in the open forum.  #ReflexiveCinema

april 19-20, katrina was back in CCP, this time for NBDB’s philippine international literary festival.  she was given a booth in the main lobby, where her own books were among the 75 (+1) launched by the ateneo de naga press on the 19th, making it easy to slip from tindera to author mode, haha, and she finally got a copy of the book to eli guieb whose work on Nunal sa Tubig (1976) was part of the anti bio, and who said that he had a new essay on it.  Nunal lives!  #PILF2018

in may, we heard that the jazz musician winston raval was receiving the Natatanging Gawad Urian, the first ever awarded to a musical director-film scorer-composer.  the awards night was to be co-produced by cinema one, so katrina asked, and was allowed by, ronald arguelles and the manunuri to sell books at the event held in ABS-CBN’s vertis tent in QC.  she finally met winston who flew in from the states and who, with wife tisi de los santos, was part of bernal’s kansas family (and of Pro Bernal).  winston was musical director of 18 bernal films, among them Nunal, Manila by Night, Himala, Tisoy, Relasyon, and Ikaw ay Akin (for which his ’70s band vanishing tribe won urian’s best music award in 1979).  #LifetimeAchievementAward

impressed by their mini film festivals and curation of film screenings, katrina emailed cinema centenario, asking if a bernal collaboration was possible.  salamat kina hector barretto calma, dev angeo, ivy peralta, and rollie inocencio who were quick to reply and arrange for the all-day bernal film fest last july 29.  focusing on bernal’s restored films, they were set on Himala and Ikaw ay Akin but were needing a third film; katrina offered to ask george sison for Pagdating sa Dulo, and he was quick to say yes (thank you!).

of the three films it was bernal’s first film Pagdating that got the most interesting responses from a larger audience.  in between screenings katrina was part of a talk with young critics circle’s aris atienza on bernal and his work.  the conversation, i hear, spanned everything from that comparison between brocka and bernal to the state of film workers and film culture in general.

cinema centenario also took in some copies of Pro Bernal for selling, and put up a wall of bernal’s photo collection.  bernal would be thrilled that microcinemas are now part of the landscape of culture — small scale, rebellious, creatively defiant — and at teacher’s village yet!   #PHCinema100

when katrina sent a letter to CCP artistic director and vice president chris millado about the possibility of a book event for bernal’s memoir, she didn’t think it would happen so soon, but things just fell into place.  cinemalaya 2018 was paying tribute to actor bernardo bernardo by screening the bernal opus Manila by Night (1980) and there was a timeslot before the screening for a fringe event that was a perfect fit for Pro Bernal.  salamat, chris millado!

serendipitously film scholar joel david, author of Manila by Night: A Queer Film Classic (Arsenal Pulp Press, 2018) who is based in south korea, was home in time for the aug 7 event and gave a talk, moderated by patrick flores, no less.  billed “Queer and Defiant: Ishmael Bernal, Bernardo Bernardo, and Manila By Night” it meant a command appearance for me in CCP’S silangan hall.  time to finally meet personally and thank joel and patrick, without whose intellectual and moral support i might still be struggling with the anti bio.  #deeplygrateful #ilovetheinternet

salamat rin kay minda casagan of the CCP film division, who was a student of bernal, at kay bebang siy and her team at the intertextual division, who always go the extra mile for katrina and the bernal book.  twas also great to chika with raffy guerrero after so long (Genghis Khan pa!) and to meet the colorful khavn de la cruz of Balangiga fame!  salamat rin, of course, kay vito hernandez, kasosyo ni katrina sa Pro Bernal sa hirap at ginhawa.

maybe it’s just the fag hag in me, but i love how “queer”, as it applies to film classics by and about LGBTQ people, is now synonymous with “awesome” and “amazing” because daring and brilliant.  and fun! because honest and candid and, even, positively shameless about breaking taboos, as bernal and bernardo were in life and in print.

the reading by noel anonuevo and rody vera of selected excerpts from Pro Bernal, Anti Bio, with bernal (noel) and BB (rody) having a conversation of sorts on Manila By Night on the one hand, and kabaklaan during martial law on the other, was a blast.  noel and rody got so into the spirit, and body language, of the two, it was like nabuhay muli ang dalawang bakla, and nakaka-miss sila.

it was also interesting, exhilarating even, how noel’s and rody’s reading / acting / vocal impersonating brought alive the text.  sabi nga in bolix, nagkaroon ng isa pang layer.  iniangat at nabigyan ng kakaiba pang dimension, kumbaga, ang mga iniwang salita ng dalawa.  salamat, salamat, noel at rody!  sa mauulit!

of course i’m now looking forward to a reading of the bosom buddies mismo, with noel as ishma and, um, maybe joel saracho as jorge?  #extra challenge!


Pro Bernal, Anti Bio available here:

UP Press Bookstore
Mt. Cloud Bookshop
Popular Bookstore
Cinema Centenario
Uno Morato
The CCP Shop

mike drop

when director mike de leon started quarrelling with rogue magazine and the MMFF peeps last year, i started getting nervous for his comeback film Citizen Jake.  i wished him well, if not better than ever.  in my book mike de leon was neck-and-neck with peque gallaga, next only to lino brocka and ishmael bernal in the roster of top directors of the second golden age of philippine cinema.

i wished atom araullo even better, hoped the new road taken would mean a level-up in his activist advocacies as journalist for nation.  i wasn’t surprised that mike had thought him perfect for the role — atom is muy simpatico with tons of sex appeal, and he looks good on screen.  can he act? was the 64$ question, but it didn’t seem to matter, or mike would not have made the effort to convince him that only he could play the role of jake herrera, citizen journalist — even, that if atom said no, then it would be the end of citizen jake the concept.  that must have been the clincher, so to speak.

it promised to be interesting at the very least, a blockbuster at the very best.  unfortunately the jury is in, and the verdict is out, as in, out cold.  the legit reviews (as opposed to promotional pieces) are of a flawed film, but i haven’t seen it so i won’t go there.  but i will go where mike de leon himself has dared, beyond the film, to his outrageously nasty and scandalizingly out-of-control take-down of atom as actor as journalist as person for some 10 days now on citizen jake’s facebook page.  all in the spirit of truth-telling, he says

Citizen Jake: its strange that the phenomenon of social media has made us even more timid to speak the truth about anything. people cannot seem to get that one of the major reasons i have decided to speak out publicly on this issue is that it is undeniable that we have made a very politically charged melodrama. and AA was part of it not just as an actor but as a very active screenplay collaborator. please do not forget that. end of discussion.

it seems to me that it’s not speaking the truth that mike is up to as it is spinning the truth and blaming, taking out on, atom his failure as director of Citizen Jake.  no doubt there was a huge clash of egos and that atom gave as good as he got, why not.

and then, again, it could just be a case of unrequited love, as in, hell hath no fury…. as many opine.  or maybe mike simply brought out the worst, instead of the best, in atom.  what.a.waste.


‘Citizen Jake’: Brave but unrealized by j. neil c. garcia
Monsters in white sneakers by arnold alamon

artists and writers for freedom and democracy, circa 1986

katawatawa that on facebook a statement from duterte apologist rebecca añonuevo and other “concerned writers” supporting SEC’s takedown of rappler has been judged “unoriginal” and “pathetic” — as if the statement by let’s organize for democracy and integrity in support of rappler / press freedom were any less pathetic?  read press freedom for what? press freedom for whom?

worse, anoñuevo daw might as well have re-issued na lang a “pro-dictatorship pro-marcos paid advertisement” of jan 28 1986.  LOL.  obvious naman na pilit na pilit ang paghahalintulad ng dalawang isteytments, the cause of SEC vs. rappler being quite puny in comparison with the cause of COWAFD (pilit na pilit rin ang COWARD, guys, seeing as they were more like losers after the fact).  halata namang ibig lang halukayin (at pahiyain? as if?) ang signatories ng 1986 declaration na mostly luminaries, including national artists no less.  though in either case it would be interesting to see the signatures mismo (even if forgeries are a possibility, too, alas).

but thanks anyway for resurrecting the COWAFD (parang covfefe) declaration that reminds of what it was like 32 years ago in the run-up to the snap elections that paved the way to EDSA.  the ad came out 10 days before the snap elections that had newbie cory aquino with former senator and member of parliament (MP) doy laurel challenging the dictator ferdinand marcos and former senator and MP arturo tolentino for the top posts of the land.

the opening paragraphs are obligatory preliminaries, romanticizing diversity of opinions, claiming openness to “alternative national futures.”  nothing on the joys of censorship, of course, rather, on the need to stand up, and be identified, for the dictator.  or else.  or else?

but the whole of it is a precious artifact, a document of historical interest wherein the best and the brightest, our most privileged of artists and intellectuals in the time of martial law, clearly articulated what exactly they feared about the prospect of cory and doy replacing marcos, AND even dared envision an “enlightened and transformed national leadership” under the marcos-tolentino team.

“When great issues are joined in the life of a people and life-and-death choices present themselves in political terms, the writers and artists must take a stand and must not seek refuge and false comfort in total political anonymity.

“We believe that the special presidential elections on February 7, 1986 present us with one of two choices: to reestablish Philippine democracy on a new and more enduring level, with its guarantees of individual freedom and social responsibility, or to risk a future dominated by the spectre of unending social strike (sic; strife?), hate, vengeance and perhaps a bloody fratricide the ferocity of which has never been known in our history.

“The plain and simple fact is that we, as writers and artists, have serious apprehension about the candidates of the opposition. We are apprehensive about the fact that they have nothing to offer than a dubious promise of sincerity and an even more dubious promise to hand government over to an unidentified cadre of advisers. These are no more than niggardly excuses for a lack of a coherent program of government.

“In view of the crises that threaten the economic security and the cultural serenity of our nation, we can only regard such representation from them as symptomatic of a reluctance to come to grips with reality and an indifference to the need for wisdom and maturity.

“As such, this coalition seeks to preserve what has already been achieved in terms of cultural advancement and to proceed further under an enlightened and transformed national leadership equipped to face the pressures of change and advance our national and spiritual progress. We believe that the leadership of President Ferdinand E. Marcos is out only guarantee for survival at this point.

“Indeed, we believe we can best achieve our national interests and realize our aspirations of writers and artists with the triumph of the Marcos-Tolentino team.”

hindi ko iyan nabasa noong 1986.  my parents and i, and my in-laws, too, were big fans of ninoy (dilawan kami noon) so we must have dropped the hans-menzi-marcos-crony-owned manila bulletin by then in favor of the feisty eggie apostol’s philippine daily inquirer.

at kahit pa nabasa ko ang paid ad na iyan, it wouldn’t have changed my mind about voting for cory and doy.  yes, on sheer faith.  there was no paying attention to marcos shrugging off cory as a mere housewife.  e ano kung walang karanasan, andyan naman si doy, a laurel, tutulungan siya, aalalayan siya.  we were so naive.  on that and a lot more.

but so also were the artists and intellectuals, the best and brightest.  naive.  imagine, promising an “elightened and transformed leadership” under marcos, the only one  “equipped to face the pressures of change and advance our national and spiritual progress.”  even, that he was “the only guarantee for survival” at that point.

parang hindi nila alam na malubha ang sakit ni marcos noon.  even if he had been reelected, unquestionably, in feb 1986, marcos was going to be replaced anyway, if not by enrile with the backing of fvr’s integrated national police (honasan had twice postponed that coup d’etat), then by imelda with the backing of ver’s afp.

parang naniwala rin sila sa sariling propaganda about the nation’s “economic security” (matagal nang bagsak ang ekonomiya, na lalong lumubha nang patayin si ninoy, thanks to capital flight atbp.) and “cultural serenity.”  cultural serenity?  susmaryosep.  jorge arago must have sniggered snickered simpered at that, if he really signed it, that is, and he may have.  at the time he and i were putting out environmentalist junie kalaw’s journal Alternative Futures (Vol. III Decentralization).  i suspect that he was responsible for getting “alternative national futures” into that declaration, maybe an ex-deal for his signature, haha.  he was like that.  for the record.