inquirer, blasphemy, sodomy

i leave it to radikalchick to respond to the world-class self-centered bigoted douchebag (in the words of carlos celdran) and his ilk who insist on their narrow shallow fallow takes on mideo’s art and censorship and the ccp.  but this letter to the editor from ernie lapuz of sto. tomas, batangas, calling out the inquirer on its “tunnel vision” and disconnect with reality, deserves to be shared and taken to heart (and mind).

WHEN ART SERVES AS A MIRROR FOR NATION TO SEE ITS REALITY

A fictitious literary character, Dorian Gray, kept a special portrait of himself. Dorian never aged a day and remained handsome through time. His portrait aged instead of him, and with every detestable sin he committed his portrait became more and more hideous.

“Poleteismo,” by Mideo M. Cruz, is a hideous portrait or artwork. It is so hideous and disgusting that it is being bashed over TV, radio, newspapers, and in the streets. And it’s quite understandable why people are angry, but this anger may have given even the Inquirer a bit of tunnel vision when its editorial on the artwork said, “If all this does not constitute sacrilege, blasphemy, or attack on religion, we don’t know what does.” Come on, surely the Inquirer knows of worse things than “Poleteismo” that constitute blasphemy and sacrilege. The paper writes about it every day. For instance, it has written about an absurd game show host who promotes mendicancy while idiotizing and exploiting the poor by making them salivate over thousand-peso hand-outs while he earns millions for himself. Doesn’t he make Christ look like Mickey Mouse or a clown every time he makes fun of the poor and declaring “All I want to do is help the poor”?

This paper writes about the abuses of the government and the Church. Can’t it feel in its hearts and guts that to call a cheating and utterly corrupt former president, her “First Plunderer” and their cohorts “devout Catholics” is more disgusting than a diseased male organ stuck on a crucifix? And when “Princes of the Church,” filthy rich “Evangelists,” “Ministers” and “Anointed Sons of God” ask and even demand favors (SUVs, a new superhighway along their vast prime property, special appointments, etc.) from government in exchange for their “constant support” of leaders who “steal from the poor,” they actually prostitute religion. Translate this reality into artwork and we may behold a full cathedral ceiling mural of Jesus Christ being held down by “most reverend” clergymen while being sodomized by hordes of “honorable” political leaders. Such an utterly sacrilegious, blasphemous, disgusting, offensive and hideous cathedral artwork will surely be despised, condemned and vanished.

Now what about the reality that is faithfully reflected in that virtual cathedral artwork? Do we see our reality as perfectly normal, acceptable or even handsome as Dorian, or should I say Juan? What kind of infernal gall have we in condemning people who hold up a mirror to us to show us bluntly the true state and configuration of our nation? “Poleteismo” is a reflection of the reality of Juan de la Cruz. And I thank God for the art that serves as our mirror. We can’t banish our collective ugliness reflected in the mirror by bashing that mirror. Surely, God’s mysterious ways are at work here as He Himself is holding that mirror to us. Art as a mirror reveals that it is us who actually commit the sacrilege. It is the reality of our nation, government, churches and ourselves that we need to reform.

—ERNIE LAPUZ
nitelites@rocketmail.com
Biga, Sto Tomas, Batangas

media & mideo
The real immaturity
The morality police came to town (with a lynching mob)

ashamed ! #aug23

WHY WHY WHY is president aquino snubbing the survivors and families of the victims of the august 23 hostage-taking massacre who are back in town, no matter how they fear and hate manila?  why has he denied them an audience with his excellent self as they commemorate the painful deaths of their loved ones exactly a year ago today?

WHAT WHAT WHAT is it about this president that he cannot find the time or the face or the grace to properly meet with these aggrieved hongkong chinese who deserve at the very least to be welcomed with shared sorrow and sympathy, at the very best to be heard, by cleaner ears, as they express their continuing, and very very valid, grievances re the botched hostage-taking?

the way i read lacierda’s explanation, it is because the bereaved chinese are accompanied by a democratic party legislator (james to kun-sun), therefore such a meeting would have “political color”, meaning i suppose that it would win points for the legislator but maybe not for the president who has a forthcoming state visit to the communist/socialist mainland?

Days before the first anniversary of the hostage tragedy, Lacierda expressed reservations over the group’s request to meet Aquino.

Lacierda said the request could have a “political color” since the group had been accompanied by a lawmaker with the elections in Hong Kong forthcoming.

But the victim’s brother stressed that they were never interested in politics.

“We are just normal citizens in Hong Kong. We do not know politics. What I can only see in this event is that my brother got killed without any reason. The rescue team in the Philippines could not save my brother. They could not save lives,” Tse Chi-hang said.

…Legislator To also urged the Chinese government to represent the group’s interest in the forthcoming state visit of President Aquino in Beijing.

“We want the Central People’s Government to take advantage of the meeting with the Philippine president in the coming several days to represent the interest of the families to negotiate for the settlement and apology for the Hong Kong families, Hong Kong people and Chinese citizens,” To said.

here’s more on the china visit by manila bulletin’s roy mabasa:

Aquino will be accompanied by senior foreign and defense officials, underscoring the importance the Philippine government has placed on the trip.

The visit was arranged as early as March amid the outrage in the country over Beijing’s execution of three Filipino drug convicts.

President Hu formally invited Aquino during last year’s Leaders’ Summit of the Association of Southeast Asian Nations (ASEAN).

Aquino himself confirmed earlier that an invitation from the Chinese government had been sent to him.

In an earlier interview, Chinese Ambassador to Manila Liu Jianchao said Chinese officials were open to discussing with President Aquino the Spratlys issue during his visit.

“Everything can be talked about, but we can talk about issues in a very good faith and goodwill, in a spirit of seeking well-measured settlement of these issues. More than this we can work ways to maintain peace and stability in the region where we have disputes,” Liu told the Manila Bulletin.

“I’m sure we have the wisdom to keep peace and stability in this region and at the same time both of us could benefit from such a stable and peaceful region,” he added. “In particular, we can cooperate in this region in exploring and developing the resources. This is going to be a wonderful arrangement and at the same time we can reduce the possibility for a possible conflict. So, this is going to be a wonderful one.”

Liu also welcomed the visit, pointing out that this will further promote “the wonderful relations between the two countries in many realms: in political confidence and trust, economic cooperation, trade, and people to people exchanges.”

wonderful daw, lol.  of course we have no idea what the quid pro quos are, ‘no?  given our trade and investment needs, lalo na our spratlys claim, it may be that the prez is walking on eggs, scared of ruffling mainland feathers.  for all we know a formal apology to the chinese government and to the hongkong chinese may be in the offing finally, but in the mainland and addressed to the highest officials first?  better safe than sorry?

unfortunately the snub here and now, when we are confronted with memories of that awful awful day that filipinos would rather forget but cannot, so shameful and disgraceful and horrible was it, boggles minds and hearts.  according to what values and ethics is it all right for the aquino government to behave like it owes the bereaved hongkong chinese nothing: no formal apology, no compensation from the government, and no heads of top guns rolling?

it doesn’t help that history channel‘s docu The Manila Hostage Massacre had as its star resource person no less than mediaman erwin tulfo who had the gall to pontificate re the authorities’ shortcomings.  tulfo, with mike rogas, in my book, deserves worse than the 10,000 peso fine imposed by the KBP for his ill-timed ill-advised intervention in a police matter involving endangered lives, and with international repercussions.

here’s the Center for Media Freedom and Responsibility:

The KBP Standards Authority December 2010 decision declared that:

“The Authority finds cause to hold the following respondents liable for first offenses (against) certain provisions of the Broadcast Code, as follows:

“On respondents Radio Mindanao Network (Radyo Mo Nationwide, RMN), Michael Rogas, and Erwin Tulfo, for having violated Sec. 1, Art. 6, Part I of the Broadcast Code (Coverage of crimes in progress), the following penalties are hereby imposed: The sum of Thirty Thousand Pesos (P30,000.00) and censure on respondent Radio Mindanao Network; the sum of Fifteen Thousand Pesos (P15,000.00) and reprimand on respondent Michael Rogas; and the sum of Ten Thousand Pesos (P10,000.00) and reprimand on respondent Erwin Tulfo, all in accordance with the offense classification and range of penalties provided in Art. 4.1, Part III of the Broadcast Code.

“We, however, find no cause to hold Jesus J. Maderazo of RMN liable under the Broadcast Code.

“On respondent ABS-CBN Broadcasting Corporation, for having violated Sec. 4, Art. 6, Part I of the Broadcast Code (Schedule of Penalties for Grave Offenses) , the following penalties are hereby imposed The sum of Thirty Thousand Pesos (P30,000.00) and censure, in accordance with the offense classification and range of penalties provided in Art. 4.2, Part III of the Broadcast Code.

“On respondent Associated Broadcasting Company (TV5), for having violated Sec. 4, Art. 6, Part I of the Broadcast Code, the following penalties are hereby imposed: The sum of Thirty Thousand Pesos (P30,000.00) and censure, in accordance with the offense classification and range of penalties provided in Art. 4.2, Part III of the Broadcast Code.”

The penalties do not seem to be commensurate to the wrongdoing. Among its options, the KBP chose not to suspend Rogas and Tulfo for the major ethical offense of interviewing Mendoza during the most crucial stages of the crisis.

In the first place, however, the KBP decision, comparable to a mountain’s laboring to produce a mouse, had been almost a year in the making. In all that time, its Standards Authority simply decided not to include GMA Network Inc. (GMA-7) in its investigation because the network is not a KBP member.

lest president aquino and the kbp have forgotten: it was a shameful shameful shameful day and the survivors and families of the victims deserve an apology, compensation, and justice.

OMGWTF!!!
command responsibility
command responsibility 2
command responsibility 3
holding back
what if
brief narratives
ressa, media, flunk test
media & national interest
Truth and consequence
vilifying media
no laws broken, no heads rolling

Iconoclasm in art / failure of nerve

By Elmer Ordonez

Senator Edgardo Angara may well have put the “Kulo” controversy to rest by not recommending sanctions against the CCP board. All possible sides were heard at last Tuesday’s Senate probe presided over by the former UP president. Enlightened and benighted views and questions were entertained. Angara seemed satisfied that the CCP board promised to review their procedures for exhibits.

All’s well that ends well? Here’s my take on the issue:

Weeks of pressure from the Church clergy/ partisans including Palace intervention compelled the CCP board to pull out the entire “Kulo” exhibit, not just the controversial installation “Polytheism” of Mideo Cruz.

CCP chair Emily Abrera said the board did not “cave in” to the pressure but a decision was reached, by referendum, to withdraw the exhibit before its expiry today. Against the closure were Abrera, Florangel Braid, and Carol Espiritu while a majority of six including CCP president Raul Sunico were for closure for reasons of “public safety.”

The exhibit had already been shown at Ateneo and UP Diliman and no problem arose from viewers. The exhibit was to commemorate the 150th birth anniversary of Rizal by alumni artists of Rizal’s alma mater, the University of Santo Tomas, celebrating its 400th year of its founding. Historically, the UST’s school of fine arts under the late National Artist Victorio Edades was a pioneer in modernist art while the University of the Philippines was still following the classical style with Fernando Amorsolo and Guillermo Tolentino as leading lights. Edades’ 1928 exhibit triggered a running debate between the moderns and the conservatives.

At the about the same time Jose Garcia Villa was suspended from the UP for his “obscene” poem “Man-Songs” by a committee led by traditional poet Dean Jorge Bocobo who must have thought Villa’s modernist work was “bad writing.”

The advent of modern art or “the shock of the new” came rather late in the Philippines. Mideo Cruz’s installation would have been in its element during the time of “Dadaism” in Europe. Edades’ works were modern in style but were they infused with “ideology and politics” like Picasso’s anti-fascist “Guernica?” Edades’ “The Builders” had a proletarian touch; his students were more into depicting Filipino history and identity like the murals of Carlos “Botong” Francisco.

“Dadaism” itself (with Marcel Duchamp as a favorite example with his “Fountain,” a urinal hanging from his installation) was a protest against the senselessness of the First World War and against bourgeois art. He did not expect the public would tolerate his “shock art.” Just as the academe in Loyola and Diliman did not create a big fuss over Cruz’s work. Thanks to a TV camera man who showed shots to the bishops when the trouble began.

“Kulo” or revolutionary ferment was obviously inspired by Rizal’s iconoclasm in the last decades of the 19th century when Rizal and the Propagandists produced incendiary literature that would lead to the 1896-1898 Revolution that ended Spanish colonial/monastic rule. Rizal and Marcelo del Pilar were particularly scathing in their anti-friar writings. The two novels of Rizal to this day are taught in some schools expurgating or sanitizing passages considered offensive to the Church.

Constantino Tejero of Inquirer thinks Cruz’s “Polytheism” is expressive of “racial memory embedded in the subconscious”— a virtual history of church and colonial abuses up to the present. Lito Zulueta also of Inquirer consigns Cruz’s work to iconoclastic art. Iconoclasm has a long history of idol-smashing (literally and figuratively) in religion, politics, culture and art. The Church itself destroyed images and icons carried by its forces deemed responsible for their defeat in battle.

In Rizal’s time the theocratic state responded to his “blasphemous” and “heretical” novels by banning them and ultimately having him shot by firing squad. Today, if some defenders of the faith have their way, they would perhaps have the offending artist burned at stake like Joan of Arc, and those responsible in the CCP for approving the exhibit, charged in court and made to resign.

Those who find Cruz’s work offensive have the right to protest or to picket the exhibit but do they have the right to resort to vandalism or arson? The latter act conjures images of book-burning, and history is replete with examples of this kind of censorship in totalitarian and supposedly democratic societies. The Church provides the faithful with an index of approved books bearing the phrase “nihil obstat” or nothing objectionable. “Prior restraint” cannot be imposed in a pluralistic society.

The UP Arts studies department statement provides the aesthetic and intellectual justification for engaging controversial art works in discussion rather than banning them. It says: “While there are contending interpretations of an image presented by art, the ethical course of action is to process the contentions and that is what art ensures: a process of communicative action. The closure of an exhibition only achieves the closure of democratic, informed and thoughtful engagement.”

The CCP board may still redeem itself by standing their ground against the recrudescence of obscurantism and repression. They will not be alone.

eaordonez2000@yahoo.com

the path for Revolutionary Routes

by katrina stuart santiago

it was daunting more than anything else, though at some point all that operated was an amount of yabang: i’ve seen friends do this before, i’ve seen wonderful beautiful local books happen without a big publisher behind it, without press releases coming out in papers. and this book, i knew, deserved the major major effort of blood/sweat/tears because it is about family and history. because it is unconventional in form, an almost refusal to fall within the genres that are familiar, a straddling among creative non-fiction/historical essay/memoir. because it demanded a freedom from the standard limitations of publishing, given its refusal as well to deal with the ways in which things are usually written, how they usually look, what can usually be said.

read on