in defense of ninoy

i wonder how leloy claudio feels to find that his essays painting ninoy aquino red were widely posted and shared on facebook by pro-marcos peeps on ninoy’s 35th death anniversary.  in his place i would be soooo mortified.  imagine.  wittingly or unwittingly, giving credence to ferdinand’s charge that ninoy was a communist-coddler.

read gmanetwork‘s Ninoy networked with everyone, Reds included and rappler‘s Ninoy linked up with the Left to aid presidential ambition, and weep.  claudio draws from nick joaquin’s The Aquinos of Tarlac (1983), his own interviews of communist personalities led by jose maria sison who confirm, of course, the links with ninoy (it is in their interest, after all, to do so), and on US embassy documents, most of the material finding their way to his book Taming People’s Power: The EDSA Revolutions and their Contradictions  (Ateneo de Manila Press 2013).

what claudio’s work lacks, and glaringly, scandalously, disgracefully so, is ninoy’s side, that is, ninoy’s own account of his relations with the left that, along with his critique of the communist ideology, is painstakingly spelled out in Testament from a Prison Cell (1984).  written 1975 to 1977 it was meant to be his closing statement before military commission no. 2 that sentenced him to death by musketry for subversion, collusion with communist dante buscayno in a 1957 murder, and illegal possession of firearms.  the closing statement that he was not allowed to read/from in open court.  the closing statement that cory published the year after ninoy’s assassination.

In this statement, Aquino explains the meaning of his obstinate struggle, his ideology and his proposed strategy for national survival.  He seeks to focus the attention of the Filipino people and the world on the wanton violations of human rights by the martial law administrators.  He identifies the victims of torture and their torturers, and reveals the torture methods used by Marcos’ military investigators. By citing case after appalling case, he describes how detainees have been framed with confessions brutally tortured out of them — and how others, especially Marcos’ uncompromising political enemies, are framed with similarly secured confessions.  It is Aquino’s most powerful indictment of the Marcos dictatorship which held him prisoner for more than seven years.  [Introductory Note]

This brief but moving testament of one man’s convictions–a man self-described as “a humanist, a democrat and a romantic”–was written in a prison cell <…>  What is presented here is Aquino’s elegant, reasoned defense of his political views (Christian Socialist), his outline for an ideal society (freedom of the individual is all-important), and a family history of patriotism (both his father and grandfather were “imprisoned for serving the Filipino people”). Bleeding through the text’s rationale and legalese is a current of unabashed passion from a man who believed in his cause.  [https://www. publishersweekly.com/978-0- 9621695-1-9]

can it be that claudio does not know about, and therefore has not read, the book?  or did he choose to ignore it because he would have had to rethink his sophomoric conclusions re ninoy’s alliance with the left?

NINOY AQUINO: I am not a communist.  I have never been one.  I have never joined any communist party.  I am not — and never have been — a member of any illegal and/or subversive organization, or even a front organization.

Yes, I have met with communist leaders and members of subversive organizations both as a newspaperman and as a public servant as far back as 1954.  In fact, the government awarded me the highest civilian award precisely for what my pacification parleys with rebels and subversives had achieved.

President Magsaysay made use of my services as a negotiator not only with the communist-led dissidents in Central Luzon but also with Muslim outlaw leaders.  Indeed, I consider my ability to communicate with the leaders of the various dissident movements as well as my understanding of their causes as one of my special qualifications for high office.

I have been a student of communism, especially the Philippine communist movement, for the last two decades.  I have written many papers, delivered many lectures on the Huks, who later became the HMBs and who, still later, became the CPP/NPAs, their aims, their inner dynamics, and motivations, both in the Philippines and abroad.

If I had planned to seek the Presidency in 1973,  it was because I sincerely believed I had the key to the possible final solution to the vexing dissident (communist) problem.

I was first exposed to communism as a young teenager shortly after the war, in 1945, when my hometown of Concepcion was literally occupied by the Hukbalahaps.  Our town mayor, an avowed Huk, was appointed by the dissident group.

In 1950, I was assigned by the Manila Times to cover the UN police action in Korea with special emphasis on the participation of the Philippine Expeditionary Force to Korea (PEFTOK).  I witnessed the brutal massacre of innocent civilians by fleeing communist forces.  Barely 18, I learned firsthand from North Korean survivors how the communists governed and regimented their people, how all freedoms were suppressed, especially the rights to peaceful assembly, religion and free speech.  Some of my most poignant early newspaper stories dwelt on the grimness of existence under communist totalitarian rule.  [pp 14-15]

… I have been a student of theoretical Marxism.  I have followed every twist and turn of our local communists.  I have read practically all the published works of our local Reds. Whenever possible, I interviewed communist intellectuals to get first-hand information.

This, however, does not mean that I have embraced communism, much less joined any communist or subversive organization. On the contrary, I would like to believe that I convinced some of the dissidents to return to the fold of government, as in the case of Mr. Taruc.

I have never advocated the overthrow of the government by force and violence, much less the establishment of a totalitarian regime. Or worse, placing this country under the domination and control of an alien power. [15-16]

… In my speeches, both in and out of Congress, I advocated a more humane approach to the dissident problem.  I denounced the use of para-military units, like the Monkees, who summarily executed barrio residents suspected of NPA links.  My exposes brought me  into a collision course with Mr. Marcos and his military subordinates.

In May 1966, barely five months into office, Mr. Marcos branded me a “Huk coddler and sympathizer” when I, as governor of Tarlac, denounced the massacre of farmers in Barrio Culatingan, Concepcion, Tarlac, by a group of Monkees led by a PC Ranger.  It is indeed an ironic twist that while I stand today charged with communist subversion, Mr. Marcos is adopting some of my recommendations in 1966: a liberal program of amnesty for returning dissidents, resettlement and a vigorous land reform program.

…Many of our countrymen have been conditioned to automatically believe that the dissidents, be they Huks, HMBs or CPP/NPAs, are not only communists or communist-led, but are evil personified.  I do not believe they are per se evil.  Assuming they are evil, they are a necessary evil.

Were it not for the Huks, President Magsaysay would never have pushed through Congress the landmark Rice Tenancy Act, which provided for tenants’ security of tenure and the itemization of the division of produce.  Known as the 70-30 Rice Law, that law for the first time gave the tenant the sole option to remain a tenant or become a lessee.  [26]

… And when Macapagal, a son of Central Luzon, was elected President, the country witnessed the enactment of the first comprehensive Land Reform Code in the Philippines, seminal though it was.  Congress passed it in 1963; but only after President Macapagal had called the reluctant Congress to several special sessions, wearying the landed interests in the Senate and the House until they gave in.  This is the Land Reform Code now being implemented by Mr. Marcos.

Indeed our wealthy Filipinos have yielded only under mounting social pressure — never of their own volition.  Without the Sakdals, without the Huks, without the NPAs, our toiling people would still be serfs in a kasama or land tenancy system as feudal as in any feudal state.

The dissidents, I concede, have committed many acts of murder and depredation.  Many have already paid for their crimes with their lives or with long prison terms.  But it must be equally admitted that because of their unremitting struggle, our society and our people’s social conditions have improved. [27]

… let us not forget: This Republic was founded by rebels and insurgents who were hunted down like mad dogs in their own time.  My own grandfather was one of those hunted men.  Some of our greatest heroes — Frs. Gomez, Burgos and Zamora; Jose Rizal and Andres Bonifacio — were all executed for treason.  Yesterday’s traitors are today’s heroes!

… If I have gone out of my way to meet with insurgents, if I have given them shelter and medical aid when they came to me, bleeding and near death, it was because I was convinced these dissidents were freedom-fighters first — in their own light — and if they were communists at all, they were communist last.

… They might have been dissidents.  But to me they were brother Filipinos who deserved the right to be heard.  My intention was to prevent them from becoming hopelessly desperate — and to give them a feeling of belonging.  By lending them a hand and a sympathetic ear, I wanted to hold out to them the hope for a better future. [28]

… I believe that freedom of the individual is all-important and ranks above everything else.  Every citizen must be given the equal opportunity to self-fulfillment, to better himself.  While it is true indeed that not all men are equally endowed, I believe that every man should be given the equal opportunity for advancement through free, universal and quality education.

Confidence between the majority and the minority, between the government and the governed, is indispensable to the vitality of a democracy.  There can be no confidence where established rights are destroyed by fiat.

… The supreme value of democracy is freedom, not property.  The democratic world will meet the communist challenge if it upholds and unites on the issue of freedom as the fundamental element of human survival.

… A free media is indispensable if a democracy is to function efficiently, if it is to be real.  The people, who are sovereign, must be adequately informed all the time.  A reasonable case, reasonably presented, will eventually win the hearts of the people.  But the people must know the facts if one expects them to decide correctly.

I  believe democracy is not just majority rule, but informed majority rule, and with due respect for the rights of minorities.  It means that while the preference of the majority must prevail, there should be full opportunity for all points of view to find expression.  It means toleration for opposition opinions.  Where you find suppression of minority opinion, there is no real democracy [30-31]

The basic flaw of capitalism is its primary concern for political liberty; it cares comparatively less about social and economic equality.  Communism, on the other hand, aims at social and economic equality but ruthlessly opposes and destroys political liberty.

I believe in a Christian Democratic Socialist ideology that will harmonize political freedom with social and economic equality, taking and merging the best of the primary conflicting systems — communism and capitalism.

… I believe in evolutionary reform and I regard all human life as equally priceless, regardless of circumstances.  I hold individual freedom most sacred, because it is God’s gift.  I cannot accept any form of dictatorship, whether of the left, the right or the center. [31]

… I adhere to an evolutionary program.  This must always stand the test of national approval as expressed through periodic elections, plebiscites, referenda, which will ensure that the program is implemented — and will continue to be implemented — only with the consent of the majority freely expressed. [32]

a primary source such as Testament from a Prison Cell is a must-read, especially for an academic, a historian yet! like claudio, who dares write on, and devalue, the legacy of ninoy aquino.

bad enough that the marcoses continue to revise EDSA history.  worse, that claudio, wittingly or unwittingly, has given the marcos camp ammunition to shoot down ninoy yet again.  claudio should be apologizing to nation for irresponsible “scholarship.”  the same goes for his editorial team and academic consultants.

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read gary devilles’ review of claudio’s book here  https://muse.jhu.edu/article/ 620451/summary

more from ninoy’s Testament:
The Filipino as Dissident  
A Christian Democratic Vision  
Manifesto for a Free Society

duterte is ready to step down

“I would suggest to the military, if you want a junta, or if you want yourselves to be in the junta, I say line up here, I’ll put you in your proper place.”

DU30 also said he was ready to be replaced by a “more competent” leader. “If you think there is somebody more competent, then by all means, put him in place. Or a group of persons who you think could bring prosperity to this nation.”

Finally, DU30 said he is opposed to a constitutional succession in case he vacates his office, and reiterated that he does not believe in the competence of Vice President Leni Robredo. “Were it not for the fact that I do not believe in the competence of the Vice President, I’m ready to go anytime,” he said.

hindi naman ito nakakagulat.  recall how reluctant he was to run for president in 2016.  i think he was finally convinced to run only because certain federalists promised that if as candidate and as president he pushed aggressively for federalism and CHANGE,  that it would be a piece of cake, a done deal by midterm elections, and he could step down and make way for a transitory head of state.

it is clear by now, early into his third year, that it ain’t gonna happen anytime soon, not federalism, much less a transition led by a politician of his choice.  it is clear that the leaders of the federalist pack miscalculated badly — akala nila duterte only had to run the country the way he ran davao city, and okay na.  NOT at all.  the drug war on the poor is atrocious and heartbreaking, the corruption grows unabated, and a con-ass is nowhere in sight.  clearly his orders are being defied at every level, even China Hasn’t Delivered on its $24 Billion Philippines Promise, sabi ng bloomberg, and digong must be feeling mighty frustrated, if not incompetent and useless.  running a country, after all, particularly this thirdworld basketcase of a country, is an extremely complicated matter, especially for one who ran on a promise of  CHANGE.

hindi rin nakakagulat na ibig ni digong na i-dictate kung sino ang papalit sa kanya.

The chief executive reiterated his doubts about Robredo’s competence to lead the country should he step down.

“I think deep in my heart, if you follow the succession and Robredo takes over, she can’t handle it. That’s my honest opinion. I wish it were someone in the likes of Escudero or Bongbong Marcos,” Duterte said.

i think maybe he was also promised that bongbong would win the vp election, but he lost, as did chiz.  and why chiz (is that you, danding cojuangco)?  of course bongbong’s contesting leni’s win, and it would be safe to suppose that digong is counting on the supremes’ PET ruling in favor of bongbong so he can take over as VP.  so why did digong even mention chiz?  or a military junta?  could it be that he is hedging his bets, in case bongbong proves to be unacceptable to the people because #NeverAgain a marcos as president?

talk is rife that the president’s health is failing and he would step down in a heartbeat if he were sure that he would not be charged with crimes and sent to jail.  but in aug 2016 he had no such fear.  read Duterte says his old age can help him avoid jail.

Old age may be a disadvantage to some but for President Rodrigo Duterte, it is a means to avoid imprisonment.

The tough-talking Duterte said that under the law, prisoners who are 70 years old or above should be released.

More than 400 people have [had] been killed in the government’s anti-drug operations, alarming human rights advocates who believe that the law enforcement operations may be used to justify extralegal killings.

“I don’t care about human rights. I said I have a problem to solve. I must first solve the problems of the country. I am already 71 years old and according to the Revised Penal Code, you have to be released once you reach 70,” the president said.

so what has changed?  sal panelo, digong’s chief legal counsel, says the president is shaking the tree … and talk of wanting to step down is “a foreshadow of radical things to come.”  i suppose this is why buhay na naman ang revgov peeps, urging digong to declare a revolutionary government that would ram a federal constitution and another marcos down our throats?  #godforbid  #taketothestreets

fanning the bernal flame

in any account of the 2nd golden age of philippine cinema, lino brocka and ishmael bernal top the list of best directors, and always in that order.  when a bernal fan asked me why, gayong even alphabetically her idol should come first, i said, well, chronologically brocka came first, and his debut film Wanted: Perfect Mother (1970) was a huge box-office success.  bernal’s first, Pagdating sa Dulo (1971), a film within a film, was a critical success but a commercial flop.

bernal was a bit too high, too sophisticated, for the beginner that he was.  only now are cineastes one in saying that bernal was ahead of his time.  no wonder it took a while for people to rise to his occasion.

it helps, of course, that some of bernal’s best films have been showing intermittently on cable TV since 1994 courtesy of cinema one, and that sari dalena and keith sicat kept the flame alive with their documentaries on ishma.  and when Pro Bernal, Anti Bio finally went to press in july 2017, rogue magazine’s jerome gomez was quick to ask for excerpts that came out as “Stardust Memories” announcing the imminent launch in november.

kicked off with personal funds, and some more from friends of bernal — this is my chance to thank you so much, evelynne horrilleno, dannie alvarez, noel anonuevo, tisi and winston raval, pis boado, bobbie malay and satur ocampo, julie de lima-sison, deanna ongpin-recto, maribel ongpin, leny de jesus, ricky lee, raquel villavicencio, laida lim, butch perez, and mt. cloud bookshop — Pro Bernal, Anti Bio (2017) is co-published by ABS-CBN publishing inc. and the indie book producer everything’s fine (EF).  of the 1000 print-run, the publishing house took on 300 copies to distribute in mainstream bookstores.  the rest EF is paying for (50% down, 50% due a year from launch) which is why katrina continues to seek collaborators on bernal events where we can peddle the book.

it was a boon that mark yambot, head of abs-cbn publishing, allowed us to dictate the content and the look and the feel of the book (though we did concede on a few minor details :-), thanks to katrina who took over the project the moment i dropped the manuscript — raised funds, negotiated with mark, and harassed the printing press peeps about quality control hanggang sa dulo.

BOOK LAUNCH/S
mark graciously arranged for and attended two november launches a week apart.  the soft one in trinoma on the occasion of cinema one‘s filmfest screening of sari & keith’s Ishmathe docu, before which mark asked katrina to say a few words about Pro Bernal, and where she met cinema one‘s ronald arguelles.  the hard(core) one in victorino’s where i finally met mark, and author bernal was represented by his sister ging ledesma and nephew andrei, and co-author jorge arago by his sister sol and her kids robin and nico sagun.  #intrafamilia

noel añonuevo and joel saracho who were with katrina in trinoma were again in victorino’s, joining dannie and deanna, bobbie and satur, raquel aka kelly, national artist bien lumbera, randy david, nic tiongson, tom agulto, sari & keith, celina cristobal, boni ilagan, roly peña, joe carreon, lucy quinto, leo martinez, bembol roco, and elmer gatchalian, among others.  friends from left, right, and center, what a rare and fun gathering!

erwin romulo slipped in, got a book, and slipped out.  and then there was oliver ortega aka bolix, the book’s designer who was unfazed, undaunted, by my quirky format.  i finally got to ask him about the margins, ang kitid sa itaas, nakakapanibago, but there had been no moving him (or the margins).  ayun pala, there’s such a thing as “the golden ratio”.  fascinating!  #angtaray

ARCHIVO
december 6, Archivo 1984 Gallery, a makati museum of local art and memorabilia, held a film showing of bernal’s Pabling (1981) and invited katrina to come and sell books.  marti magsanoc bought a pile, some of which are available in The CCP Shop, archivo’s branch in pasay. #BernalNight

BOOK REVIEWS
krip yuson’s rave review Reliving Ishmael Bernal came out in philippine star on december 10, elaborating on an earlier facebook post: “What a wonderful book: ANTI BIO PRO BERNAL, on Direk Ishmael Bernal’s life, films and milieu.”  two days later came jessica zafra’s ProBernal AntiBio is the best Filipino film book of the year, maybe of all time!  thank you, krip and jessica (and butch perez, for getting a copy to jessica)!

ISHMAEL BERNAL GALLERY
february 2018, we were invited by sari dalena to do a small exhibit for the Ishmael Bernal Gallery of the UPFI film center.  katrina got to flex her amateur-curator muscles, plotting out the friendship of bernal and arago from UP undergrad days through to bernal’s filmmaking years to bernal as actor on the Dulaang UP stage, with memorabilia unearthed from jorge’s old office and movie stills we had salvaged from his room in binangonan in 2012.

books were sold, Nunal sa Tubig (1976) was on loop, and i got to chika with sari and keith, fidel rillo, lem garcellano, dannie alvarez, sol and jorge’s favorite bayaw steve sagun and kids, especially with obet and team who had worked with jorge back when virgie moreno was director of the film center.  also i finally met and got to thank carlo vergara who did the bernal and arago avatars for the book. #zsazsazaturnnah

SOFIA
in early march, ronald rios, head of the Society of Filipino Archivists for Film that’s doing a Reflexive Cinema series — a three-year celeb (2017-2019) of the centennial anniv of Philippine film in partnership with CCP and NCCA — invited us to the screening of Pagdating sa Dulo in CCP’s dream theater.  katrina read excerpts from Pro Bernal to introduce the film and, after the screening, joined producer george sison (the peace and prosperity new-age guru) and production designer cesar hernando in the open forum.  #ReflexiveCinema

LIT FESTIVAL
april 19-20, katrina was back in CCP, this time for NBDB’s philippine international literary festival.  she was given a booth in the main lobby, where her own books were among the 75 (+1) launched by the ateneo de naga press on the 19th, making it easy to slip from tindera to author mode, haha, and she finally got a copy of the book to eli guieb whose work on Nunal sa Tubig (1976) was part of the anti bio, and who said that he had a new essay on it.  Nunal lives!  #PILF2018

GAWAD URIAN 2018
in may, we heard that the jazz musician winston raval was receiving the Natatanging Gawad Urian, the first ever awarded to a musical director-film scorer-composer.  the awards night was to be co-produced by cinema one, so katrina asked, and was allowed by, ronald arguelles and the manunuri to sell books at the event held in ABS-CBN’s vertis tent in QC.  she finally met winston who flew in from the states and who, with wife tisi de los santos, was part of bernal’s kansas family (and of Pro Bernal).  winston was musical director of 18 bernal films, among them Nunal, Manila by Night, Himala, Tisoy, Relasyon, and Ikaw ay Akin (for which his ’70s band vanishing tribe won urian’s best music award in 1979).  #LifetimeAchievementAward

CINEMA CENTENARIO
impressed by their mini film festivals and curation of film screenings, katrina emailed cinema centenario, asking if a bernal collaboration was possible.  salamat kina hector barretto calma, dev angeo, ivy peralta, and rollie inocencio who were quick to reply and arrange for the all-day bernal film fest last july 29.  focusing on bernal’s restored films, they were set on Himala and Ikaw ay Akin but were needing a third film; katrina offered to ask george sison for Pagdating sa Dulo, and he was quick to say yes (thank you!).

of the three films it was bernal’s first film Pagdating that got the most interesting responses from a larger audience.  in between screenings katrina was part of a talk with young critics circle’s aris atienza on bernal and his work.  the conversation, i hear, spanned everything from that comparison between brocka and bernal to the state of film workers and film culture in general.

cinema centenario also took in some copies of Pro Bernal for selling, and put up a wall of bernal’s photo collection.  bernal would be thrilled that microcinemas are now part of the landscape of culture — small scale, rebellious, creatively defiant — and at teacher’s village yet!   #PHCinema100

CCP CINEMALAYA
when katrina sent a letter to CCP artistic director and vice president chris millado about the possibility of a book event for bernal’s memoir, she didn’t think it would happen so soon, but things just fell into place.  cinemalaya 2018 was paying tribute to actor bernardo bernardo by screening the bernal opus Manila by Night (1980) and there was a timeslot before the screening for a fringe event that was a perfect fit for Pro Bernal.  salamat, chris millado!

serendipitously film scholar joel david, author of Manila by Night: A Queer Film Classic (Arsenal Pulp Press, 2018) who is based in south korea, was home in time for the aug 7 event and gave a talk, moderated by patrick flores, no less.  billed “Queer and Defiant: Ishmael Bernal, Bernardo Bernardo, and Manila By Night” it meant a command appearance for me in CCP’S silangan hall.  time to finally meet personally and thank joel and patrick, without whose intellectual and moral support i might still be struggling with the anti bio.  #deeplygrateful #ilovetheinternet

salamat rin kay minda casagan of the CCP film division, who was a student of bernal, at kay bebang siy and her team at the intertextual division, who always go the extra mile for katrina and the bernal book.  twas also great to chika with raffy guerrero after so long (Genghis Khan pa!) and to meet the colorful khavn de la cruz of Balangiga fame!  salamat rin, of course, kay vito hernandez, kasosyo ni katrina sa Pro Bernal sa hirap at ginhawa.

QUEER & DEFIANT
maybe it’s just the fag hag in me, but i love how “queer”, as it applies to film classics by and about LGBTQ people, is now synonymous with “awesome” and “amazing” because daring and brilliant.  and fun! because honest and candid and, even, positively shameless about breaking taboos, as bernal and bernardo were in life and in print.

the reading by noel anonuevo and rody vera of selected excerpts from Pro Bernal, Anti Bio, with bernal (noel) and BB (rody) having a conversation of sorts on Manila By Night on the one hand, and kabaklaan during martial law on the other, was a blast.  noel and rody got so into the spirit, and body language, of the two, it was like nabuhay muli ang dalawang bakla, and nakaka-miss sila.

it was also interesting, exhilarating even, how noel’s and rody’s reading / acting / vocal impersonating brought alive the text.  sabi nga in bolix, nagkaroon ng isa pang layer.  iniangat at nabigyan ng kakaiba pang dimension, kumbaga, ang mga iniwang salita ng dalawa.  salamat, salamat, noel at rody!  sa mauulit!

of course i’m now looking forward to a reading of the bosom buddies mismo, with noel as ishma and, um, maybe joel saracho as jorge?  #extra challenge!

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Pro Bernal, Anti Bio available here:

UP Press Bookstore
Mt. Cloud Bookshop
Popular Bookstore
Artbooks.ph
Cinema Centenario
Uno Morato
Archivo1984
The CCP Shop

It’s too complicated #NoToFederalism

Tony Samson

CERTAIN topics are just too hard to “laymanize.” This is a buzzword current nowadays. It means presenting a concept in words and phrases that can be grasped by the man on the street. Such subjects are, by definition, complex and presume prior familiarity and knowledge, sometimes requiring their own special vocabulary.

… Now, what about a complicated change in the political structure that affects the whole country which nobody seems to understand, much less sees a need for? (If it ain’t broke, hurl it against the wall so it breaks into little pieces.)

The challenge then for the designated communicator for the complex structure and transition mechanism being proposed and possibly voted on is how to laymanize this. Add to this hurdle, all the previous failed attempts (maybe five in all) to overhaul the system and change the form of government. One previous proposal was the parliamentary system where the chief executive was elected by the party with the most seats in the parliament. Of course, the new structure allowed the present chief to run again for a different title.

Faced with the daunting task of bringing airy concepts down to earth, what is a communicator to do but fall back on what she knows best? Can the communicators learn from the past on why previous concepts failed to persuade or even connect? Okay, a song and dance on the parliamentary system just wouldn’t have worked — i-par, par mo; i-lia-lia mo? Parliamento. Nah. There was no social media to spread that for some lambasting. Anyway, what body parts are those?

The simple rule in communications states, “If you can’t explain it in three sentences, you can’t sell it.” And maybe you don’t really understand it yourself anyway. So, how can you persuade anyone, even if you are armed with answers to FAQ?

You need to give credit to innovation in the field of persuasion. Until now, it was presumed that you required a power point presentation, interviews in talk shows with articulate advocates (that is still a work in progress), a road show with prospective candidates for national positions in tow, or even a TV commercial with sunrise and carabaos pulling the plow. Why not use a song and dance routine as a low-cost alternative to get the topic into the daily conversation of barbers and wine connoisseurs?

As to the charges of vulgarity, from the Latin word “vulgus” or crowd, somebody important found the dance number cool. (You are asking me about vulgarity?) While the song and dance did get the topic to trend in social media, it’s not certain which side of the debate it truly helped. So please don’t be too hard on her. She should keep her job. Why? It’s too complicated.