media & mideo, bishops & rape

there’s a real live rape-of-a-minor court case pala in the works against a parish priest of agusan del norte, who denies the allegations of course, and whom the diocese bishop has taken into his palace (yes, palace! frailocracy pa rin) in butuan city, instead of surrendering him to civil authorities.

i can’t believe that this is the first i’ve heard of it.  it would seem that after reporting the rape complaint by “leah” in early july (when i was hectic, proofreading, indexing, etc. and thus missed it), media dropped the matter completely until two or three days ago. (google it and you get either a july 2-7 item or an august 27-30.)

why did i hear nothing of it all through the mideo crucifixion (when i was paying attention na) — from pinky webb’s xxxpose to karen davila’s censhorship rants to ccp folding — when bishops ruled as though from on high and the inquirer justified vandalism?  all through those august weeks, i didn’t hear anyone in/through media bringing up the rape case, even if only to bring down the bishops a notch, level the playing field, even if only in a token way.

i wonder how much money went around to focus media’s attention on mideo and away from leah.  okay, okay, siguro naman hindi sila lahat nabibili.  pero siguro rin, yung mga hindi nabibili, wala namang balls.  how terrible.  the rape of leah, if true, and other such cases since the time of damaso, is prick power at work, mideo’s poleteismo verfiied and validated, how disgusting in many ways is this church that professes to embody christ.

samantala, in her tribune column, armida siguion-reyna rightly jeers at the holier-than-thou.

Where now are the sanctimonious? Where now are those who took offense with the “sacrilege” they insisted visual artist Cruz committed with the display of his works at the CCP? Butuan, Agusan, Diocese Bishop Juan de Dios Pueblos, he who had led the call for President Benigno Aquino III’s resignation because of his appointing “kaklase” and “kaibigan” to government posts, how come there’s nothing from him, especially with the alleged rapist priest under his care?

Nothing, as in not even a peep.

worse, what’s with this priest:

In a radio interview, Fr. Raul Cabonce, the parish priest of Tubay, said “I categorically deny allegations of rape hurled against me… please check the background of the family of the victim first before judging me.”

Fr. Raul Cabonce in an interview on Bombo Radyo Butuan on Tuesday alleged the sisters of the victim were all victims of rape and that people of Las Nieves town, where used to be parish priest before transferring to Tubay, knew the background of the victim’s family.

the sisters of the victim were all rape victims… therefore, what?  they are not to be believed?  they deserve to be raped?  hey, lord bishops, methinks this priest might not only need help sublimating his libido, he could use some gender consciousness & sex education too :(

Rizal and socialism (2)

By Elmer Ordonez

MY earlier column (8/7) dwelt on the influence of socialist ideas on Rizal and his fellow propagandists in Europe. I noted that of the two contending strains of socialism in late 19th century, Marxist and anarchist, the latter had more impact on Rizal and Juan Luna, judging by their literary and art works. El Fili-busterismo has an “anarchist and putschist” for main character, Simoun, while Luna has paintings depicting the underclass of France.

Luna also has a letter to Rizal describing the pitiful conditions of workers in a Paris iron foundry and enthusing over Contemporary Socialism. (I recall my own encounter with Edmund Wilson’s To the Finland Station in the 50s, tracing the concept from Saint-Simoun, Owen and Fourier, Proudhon, Bakunin, Marx and Engels to Lenin.) If Luna had lived to the 20th century would he have developed into a full-blown proletarian artist?   

Rizal’s close friend Trinidad Pardo de Tavera had taken in two young Russian women who were in Paris as political refugees because of their nihilist views (nihilism is a variant of anarchism). Epifanio San Juan, Jr. surmises that the two women radicals could have been introduced by de Tavera to Rizal. However there is no mention of this in Rizal’s correspondence nor of any reply to Luna’s letter about his visit to the Parisian iron foundry. Nor is there any reference to radicals or their work except to Max Havelaar, the anti-Dutch colonial book written by the Dutch-Indonesian mestizo Edward Douwes Dekker using the pseudonym, Multatuli. At the time Rizal was annotating Morga’s Sucesos in the British Museum where he must have come across Max Havelaar and become interested in Philippine studies and Malay resistance to colonialism in the region. . (cf. John Nery, Revolutionary Spirit: Jose Rizal in Southeast Asia).

In 1898 ilustrado nationalist Isabelo de los Reyes met all kinds of socialists/radicals during his detention at the Montjuich castle prison, where Rizal two years earlier was confined for several hours before being shipped back to Manila to face trial for treason and the firing squad. De los Reyes as a deported filibustero in 1896 participated in violent street protests in Barcelona. Since then Filipino intellectuals (like Dr. Dominador Gomez, Aurelio Tolentino, Lope K. Santos, Faustino Aguilar, Herminigildo Cruz) and other labor leaders had been exposed to socialist books, here or abroad. In the 20s Marxism-Leninism arrived in Manila and labor groups, armed with this ideology, formed the Communist Party (1930).

Reader Alvin F. pointed out that utopian socialism was also an influence on Rizal, citing Dapitan as a manifestation. Indeed, In that quiet Mindanao town, Rizal, using his immense skills, tried to build a model community with progressive education, organic farming and cash crop cultivation, a waterworks system benefiting the whole town, free medicine for the poor, among other social services.

Having given up propaganda work with La Solidaridad, Rizal returned to Manila via Hongkong with his Tagalog translation of The Rights of Man and his agenda to organize the indios as a national polity toward their social and economic development and mutual protection, preparing them for self-government and ultimate liberation. These from the objectives of La Liga Filipina.

The Liga had a short life because of Rizal’s deportation to Dapitan. In his exile, he transformed the land that he bought along the coast into a mini-colony of students, some members of his family including his sisters, and his common-law wife, and the locals who work on the agricultural and livestock farms.

Rizal would have done these and more in the 6,000 acres made available to Rizal by the British authorities for his proposed Filipino colony in Sabah. Rizal’s proposal was rejected by the Spanish governor-general who would not spare Filipinos in a country already short of labor. He probably meant shortage of compulsory labor because the indios, disaffected for centuries, were fleeing from “bajo la campana” (under the bell) to the countryside or hinterlands where they were at risk of being branded tulisanes.

Rizal had for some time thought about a Filipino colony since the dispossession by the friars of Rizal’s family and other inquilinos and their tenants in the Calamba hacienda. If the Sabah project had materialized under progressive-minded Rizal it would have shown up Spanish governance.

Building ideal or model communities is the essence of utopian socialism. The term “utopian” is derived from Thomas More’s Utopia (1516); its precedents are Plato’s ideal Republic and St. Augustine’s City of God. In the first half of the 19th century, in the wake of the French revolution, socialism and communism (coined by anarchist Etienne Cabet) became current, with Karl Marx and Frederic Engels using the term in the 1848 “Communist Manifesto“ in a metaphorical way as “the specter haunting Europe” to scare the ruling classes beset with social upheavals.

Marx and Engels used “scientific socialism” as opposed to the “utopian” concepts of communitarian living of Saint-Simon, Robert Owen, and Charles Fourier who had anarchist ideas from the start like cooperatives, credit unions, mutual support, labor reform, and women rights (Fourier). In 1892 after the death of his comrade, Engels issued his Socialism: Utopian and Scientific. That year Rizal returned to Manila.

To be continued.
eaordonez2000@yahoo.com

Revolutionary Routes @ ManilArt 2011

will be at ManilArt 2011, the 3rd Philippine International Art Fair, today at 4 p.m. onwards (ehem :)

Book signing of “Revolutionary Routes” by Angela Stuart Santiago with guest National Artist for Literature Bienvenido Lumbera

August 26, 2011
NBC Tent, Bonifacio Global City
Taguig, Philippines

book’s still at launch price of P300, ManilArt entrance P200.  see you!

inquirer, blasphemy, sodomy

i leave it to radikalchick to respond to the world-class self-centered bigoted douchebag (in the words of carlos celdran) and his ilk who insist on their narrow shallow fallow takes on mideo’s art and censorship and the ccp.  but this letter to the editor from ernie lapuz of sto. tomas, batangas, calling out the inquirer on its “tunnel vision” and disconnect with reality, deserves to be shared and taken to heart (and mind).

WHEN ART SERVES AS A MIRROR FOR NATION TO SEE ITS REALITY

A fictitious literary character, Dorian Gray, kept a special portrait of himself. Dorian never aged a day and remained handsome through time. His portrait aged instead of him, and with every detestable sin he committed his portrait became more and more hideous.

“Poleteismo,” by Mideo M. Cruz, is a hideous portrait or artwork. It is so hideous and disgusting that it is being bashed over TV, radio, newspapers, and in the streets. And it’s quite understandable why people are angry, but this anger may have given even the Inquirer a bit of tunnel vision when its editorial on the artwork said, “If all this does not constitute sacrilege, blasphemy, or attack on religion, we don’t know what does.” Come on, surely the Inquirer knows of worse things than “Poleteismo” that constitute blasphemy and sacrilege. The paper writes about it every day. For instance, it has written about an absurd game show host who promotes mendicancy while idiotizing and exploiting the poor by making them salivate over thousand-peso hand-outs while he earns millions for himself. Doesn’t he make Christ look like Mickey Mouse or a clown every time he makes fun of the poor and declaring “All I want to do is help the poor”?

This paper writes about the abuses of the government and the Church. Can’t it feel in its hearts and guts that to call a cheating and utterly corrupt former president, her “First Plunderer” and their cohorts “devout Catholics” is more disgusting than a diseased male organ stuck on a crucifix? And when “Princes of the Church,” filthy rich “Evangelists,” “Ministers” and “Anointed Sons of God” ask and even demand favors (SUVs, a new superhighway along their vast prime property, special appointments, etc.) from government in exchange for their “constant support” of leaders who “steal from the poor,” they actually prostitute religion. Translate this reality into artwork and we may behold a full cathedral ceiling mural of Jesus Christ being held down by “most reverend” clergymen while being sodomized by hordes of “honorable” political leaders. Such an utterly sacrilegious, blasphemous, disgusting, offensive and hideous cathedral artwork will surely be despised, condemned and vanished.

Now what about the reality that is faithfully reflected in that virtual cathedral artwork? Do we see our reality as perfectly normal, acceptable or even handsome as Dorian, or should I say Juan? What kind of infernal gall have we in condemning people who hold up a mirror to us to show us bluntly the true state and configuration of our nation? “Poleteismo” is a reflection of the reality of Juan de la Cruz. And I thank God for the art that serves as our mirror. We can’t banish our collective ugliness reflected in the mirror by bashing that mirror. Surely, God’s mysterious ways are at work here as He Himself is holding that mirror to us. Art as a mirror reveals that it is us who actually commit the sacrilege. It is the reality of our nation, government, churches and ourselves that we need to reform.

—ERNIE LAPUZ
nitelites@rocketmail.com
Biga, Sto Tomas, Batangas

media & mideo
The real immaturity
The morality police came to town (with a lynching mob)